Basic video editing software EDIUS features

The following passage is the official website of the software EDIUS evaluation: EDIUS nonlinear editing software designed for broadcast and postproduction environments, especially for news reporters, tapeless video production and broadcast and storage. EDIUS has a good file-based workflow, providing real-time, multi-track, multi-format mixed, synthetic, color keying, titling and timeline output capabilities. In addition to the standard EDIUS series format also supports Infinity JPEG 2000, DVCPRO, P2, VariCam, Ikegami GigaFlash, MXF, XDCAM, XDCAM HD (4:2:2), and XDCAM EX video material. Support for all DV, HDV cameras and recorders.

Words of this very professional, after a series of articles where we will only use words to introduce this popular professional software, set aside some of the less frequently used functions and not practical, so that we can learn "can." Although EDIUS is for broadcast and post production environments, but EDIUS very easy to use, easier to "learn", with one saying goes, is "very easy to use." Before, we believe that the video post-editing more difficult to learn, most people can not learn, and now with the computer hardware and digital cameras continue to upgrade, home video camera is gradually to the "tapeless" universal, this also solved the more difficult to deal with before. " acquisition "problem. "Tapeless" solutions not only capture the problem, also edited the video store has brought new changes, such as do not have to burn DVD discs, removable hard disk, memory card and so can be used to store and exchange.

 EDIUS so that we can have a relatively high profile of the computer under the premise of real-time, multi-track, mixed format editing and multi-subtitle and timeline output capabilities. These features in the past you want to achieve is very difficult, the need for expensive professional editing card hardware can support. In our future articles, these basic functions will be introduced. In addition, EDIUS can support many formats of video material, so to speak, on our consumer digital cameras of all formats, EDIUS does not "know" and can "handle" of. For a little before the old tape-based digital cameras, EDIUS can also be a 1394 line to control these machines, either DV or HDV camera or VCR, they can control play, pause, and back-recording operation.
To sum up some of the EDIUS features, we have a basic understanding of EDIUS. For the average home video, the post-editing is completely unnecessary to engage in the complex, as long as the raw material into the computer, the material removed in the useless part of the basic can be. And then advanced, you can cook the video title and subtitle recording date, you can also add the "background music", so that our own captured video more like a movie.

16:9 and 4:3 video of PK

Between 16:9 and 4:3 to say that the PK, it should say 16:9 is no problem winning. 4:3 because the first is an early film or video format standards, after years of use, is now entering the edge of elimination; second is 16:9 on the one hand is a relatively new standard, coupled with the frame is indeed more 4:3 is the original look and more comfortable to meet people's visual habits.
 4:3 still can not quickly eliminated because
As we say 16:9 ratio 4:3 in all aspects better, why 4:3 will not soon out of business? This also depends on two reasons: one is a lot of program source or 4:3 format, coupled with the current toll-free HD channels are very small, and the program source, and many other factors, the vast majority of 16:9 high-definition TV or watching 4:3 format program, the domestic point of view apart from a few large cities opened the cable HD channels, the vast majority of television stations in the traditional 4:3 format signal transmission; another On the one hand there are quite a number of TV subscribers, and there is no demand for the 16:9 format. Therefore, the 4:3 format programs in a given period will be the mainstream radio and television to use.
 Is accelerating out of the traditional 4:3 16:9
Although we can not say that the traditional 4:3 also soon "retired", but does not affect the rapid growth of 16:9. Currently we have access to the 16:9 format for playback and recording devices are high-definition flat-panel high-definition TV and home DV, especially in the past two years, high-definition flat-panel TVs and home DV spread very quickly, so that we can feel at any time 16: 9 existence, whether at the mall, friend's house; both 16:9 format flat-panel TV, or 16:9 (16:10) flat-panel computer monitors, are we on this 16:9 "aspect ratio" very familiar. In contrast to the traditional 4:3 being phased out of our vision, the old 4:3 CRT televisions and computer monitors, are quietly fading. Can be predicted a few years time, 4:3 aspect ratio devices will become history, or into the warehouse.
 16:9 and 4:3 which looks more comfortable then?
Look at the chart with this article, it is estimated we have the same feeling that a 16:9 aspect ratio to look more comfortable than 4:3, by contrast, can clearly feel the charm of 16:9. HD DV is currently shooting the picture is 16:9 SD format cameras generally have several options that you can use 4:3 or 16:9 can also choose to cover pieces of 16:9, 16:9 settings on the camera problem, we re-introduce the next article.

3D HD is here! Are we ready?

In 3D high-definition home soon after, long-awaited 3D professional HD cameras came out. 3D brought a lot of give you a sense of mystery, so that we can not be prepared to meet. "Avatar" in 3D surprise to us, but also to the digital camera manufacturers to bring business opportunities. Recently, the Panasonic AG-3DA1MC bright as a high-profile, let's look at what it can bring us.
 Panasonic AG-3DA1MC structure
Before we had an article, "Analysis of 3D Civil 3D camera TM750 features" described in Panasonic home 3D HD TM750, this home is a structure of high-definition 3D image sensor two lenses, we say that the AG-3DA1MC and home The TM750 other than the main song is with two image sensors, that is, two lenses to capture images were put into their 3MOS, and then processed through the signal recorded. This home model TM750 dual sensor camera image on a video put into a large difference, of course, the professional 3D HD must be better than home prices are much more expensive models.
 3MOSx2 or 6MOS
Previously in pure DV era, generally there is a single-CCD 3CCD or divided, or on the publicity of the body are to DV 3CCD to explain, now is not to say "6MOS" out? Because the number from the sensor to see if the Panasonic AG-3DA1MC in using a two-3MOS, add up to 6 MOS. Panasonic is the official website of "3MOS (support 1/4.1 inch progressive mode) x 2" to publicity. Modern technology is indeed the charm of endless, not to the camera and printer are also engaged in the same ink color from three to four, five, six color like. Besides this 3MOSx2 it, although 3MOSx2 is good, much stronger than the single MOSx2, but as a professional model, MOS size feels a little too small, only 1/4.1 inches, and Panasonic's current high end home machine type used is the same.
 Almost two machines to help with the line into 3D
Panasonic AG-3DA1MC by the structure of understanding, the simple fact to understand is the feeling that it is basically two small HD so a large shell, copy points should be interpreted inside the data processing system is relatively complicated. Therefore, the cost of this machine should not high, and two small high-definition hardware and main parts of the poor do not use a lot, but the price is definitely higher. Here I am reminded of a thing to write to, about two years ago, one of my friends in Germany began to study 3D, bundled with the DV method is two, so the 3D is not very complicated thing, in the currently no universal definition of the case, 3D, there should be some way to go, we have enough time to prepare.